DUNS SCOTO, Joannes; FANTIS, Antonio de, ed.
ATTRACTIVE CONTEMPORARY BINDING
DUNS SCOTO, Joannes; FANTIS, Antonio de, ed.. Super quarto Sententiarum.
Lyon, Jacques Myt for Jacques and François Giunta,, 1520.
.The charming binding is a north Italian production with the typical pink-stained leather sewing supports - showing influences from Bologna and mainland Veneto (e.g., Bib. Archiginnasio, 10.YY.V.29, Ms. B 3484 and, for the spine, 1.L.II.53), it was probably a university student s book, bound in Padua, where Scotus s theories had a great following. .
.A very good, unsophisticated copy of this attractively produced edition of one of the most influential works of medieval philosophy. This is the last part of a four part work, often issued separately. Joannes Duns Scotus (1266-1308), Scottish philosopher, was one of the most influential in the early medieval period, together with Thomas Aquinas and William of Ockham. He was trained at the Franciscan studium in Oxford. After taking holy orders, he moved to Paris where he was lecturing c.1300; he was expelled from France in 1302 for his support of Pope Boniface VIII against Philip IV. His very successful commentary on Peter Lombard s four books of Sententiae , a systematic compilation of theological sources, is considered his greatest work. This edition was overseen by the Italian theologian Antonio de Fantis (1460-1533). In this commentary, Duns Scotus s ground-breaking theories including the univocity of being (the concept of existence) and haecceicitas (the particularity of a thing as opposed to its abstract essence) are applied to broader questions left open by Peter Lombard. The work also discusses practical questions as varied as justice in buying and selling (including usury), as well as the theological (penance and restitution) and practical (canon law) consequences of adultery, e.g., an adulterous woman should confess her crime to her illegitimate son and encourage him to give up his inheritance; however, this situation would put her in danger of death and her husband in danger of committing uxoricide . The early annotator glossed questions concerning the bodily nature of Christ.
.Alberto Avanzi was probably a Canonico Regolare from Verona, author of De Universi artificio (Padua, 1571), a cosmographical work mentioned by Riccardi I/1, 60. In the C17, this copy was in the library of the convent of St Francis in Capestrano, established by St John of Capestrano in 1447. A tentative c.1700 hand wrote in Italian: Belonging to the Convent of Capestrano, whence it was removed and then, due to qualms of conscience, returned. On the rear ep, in 1718, a friar noted that on 28 June, the vigil of Sts Peter and Paul, he saw in the choir stalls the soul of Father N.N., formerly at the convent, and now, the soul explained, in heaven after 29 years in Purgatory. A conversation between the two is recorded, concerning punishment for minor sins ( levis culpa ).
No copies recorded in the US. Pettegree & Walsby 66079; Baudrier VI, 100. Not in Brunet. G. Mazzucchelli, Gli scrittori d Italia (1753), II.